Wednesday, October 20, 2010

The War of Art eBook

Steven Pressfield's The War of Art is one of my personal creative scriptures.

The eBook is available for purchase and if you buy it between now and Thursday, October 21, 2010, it will be a mere $1.99.

Buy it. Now. Even if you don't have an e-reader, you can grab it as a PDF. You can thank me later.

Friday, October 15, 2010

What Sam and Charlie Taught Me

I first signed up for NaNoWriMo in the year 2004, and started a novel called Sam and Charlie Go On A Roadtrip, which was about two girls, Samantha (Sam) and Charlotte (Charlie) who took a roadtrip down to Florida.

I stalled out at 8,881 words.

My usual line is that I got my characters as far as Florida and got stuck. I've been told that Florida has a reputation for that sort of thing, but there were other factors involved.

1. Not actually having a plot in mind. The novel was written as alternating diary entries and I figured that just rambling about travel from place to place would be an easy way to rack up words. Wrong. That's not even what we read novels for, anyway--we pick up books and keep reading them because we want to know what happens next. If there's no tension, no conflict and no potential gain or loss, there's nothing to drive things forward.

I almost made the same mistake in 2005, starting on a fantasy story that was supposed to be somebody dictating her memoirs to the court historian, but I realized that I had very little idea where it was going, so I tore it up and started a new story about ten days into the month. It was one of the most basic plots in the world--the Cinderella story, effectively--and I wound up crossing the finish line for the first time.

2. Setting it somewhere that needed too much research. For reasons I'll not get into, I thought it would be a great idea to set Sam and Charlie in the year 1990. This was, in fact, a really bad idea because then I had to make sure I wasn't inserting any anachronisms like having them listen to albums that hadn't been released yet. I found myself constantly second-guessing things as I went and was hesitant to go into certain details because then I'd have to fire up the internets and make sure they were accurate.

Again, 2005 almost fell to the same mistake, because I was setting it in a pre-gunpowder setting and was still determining the world it was set in. The story I started after I tore that one up was set on a space station in the far future, so I could pull any damn thing out that I wanted and potentially get away with it.

3. Trying too hard to be cool. By hampering myself to keep things cynical and realistic, I cut myself off from a great deal of passion and excitement.

In 2005, the novel I did finish was a mushy, shameless love story and I held nothing back. (Indeed, I enjoyed hanging out with those two characters so much that they showed up again in 2008 and 2009 and I told the stories of their happily-ever-after.)

While it would have been nice to have a unbroken record of complete success from 2004 on, I am actually glad for my first spectacular failure because it taught me exactly what didn't work, so I've been able to complete NaNoWriMo successfully for every single year ever since.

Sunday, October 3, 2010

Countdown to NaNoWriMo...

National Novel Writing Month is less than a month away. The good news is, last night I just got clobbered over the head with an idea that should work very easily within the demands of that particular event. The better news is, I've got a month to ponder the possibilities before committing anything to the page, so I should be ready to hit it as soon at November 1 rolls around.

The, um, not so good news is that I'm still logjammed at about 23,000 words on my current project and I'm not sure I'll be able to wrap it up by the end of this month. I think I may just do what I can in the remaining time and then shelve it while I plow through NaNo and then return to it in December. (One of the luxuries of being as-yet-unpublished is that I can do things like this without sending editors into cold sweats. Though, speaking of, I do need to get my other manuscript packed up and sent out again. Two rejections is hardly enough to prove the thing useless.)

I am encouraged by the fact that when I described the first scene of my NaNo idea to someone, his response was "That's kinda creepy." "I know!" I said cheerfully, "But you want to find out what happens next, don't you?"

Heck, I know I do. The annoying part is, even as I can plot out the generalities in advance, I'll have to wait until November to find out exactly how it unfolds.